Kallir Research Institute
Skip to main content
  • Menu
  • History
  • Artists
  • Archives
  • Programs
  • Exhibitions
  • News
  • Articles
  • Contact
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Käthe Kollwitz: The Museum of Modern Art, New York

Past exhibition
31 March - 20 July 2024
charcoal drawing by Käthe Kollwitz showing a striding mother in profile. she hunches over carrying a young child on her back while another child clenches at her waist in anguish
Käthe Kollwitz, Woman and Children Going to Their Death, 1924; The Museum of Modern Art, New York, Gift of the Kallir Family in Honor of Hildegard Bachert © 2025 Artists Rights Society (ARS), New York

In the early decades of the 20th century, when many artists were experimenting with abstraction, Käthe Kollwitz remained committed to an art of social purpose. Focusing on themes of motherhood, grief, and resistance, she brought visibility to the working class and asserted the female point of view as a necessary and powerful agent for change. “I have no right to withdraw from the responsibility of being an advocate,” she wrote. “It is my duty to voice the sufferings of men, the never-ending sufferings heaped mountain-high.” The first major retrospective devoted to Kollwitz at a New York museum, this is also the largest exhibition of her work in the US in more than 30 years.

 

Born in the Prussian city of Königsberg (now Kaliningrad, Russia), Kollwitz was based in Berlin from the 1890s through the early 1940s, a period of turmoil in German history marked by the upheaval of industrialization and the traumas of two world wars. Though she had trained briefly as a painter, she quickly turned to drawing and printmaking as the most effective mediums for social criticism. This exhibition includes approximately 120 drawings, prints, and sculptures drawn from public and private collections in North America and Europe. Examples of the artist’s most iconic projects will showcase her political engagement, while preparatory studies and working proofs will highlight her intensive, ever-searching creative process.

  • Exhibition Website
  • Press: "The Revolutionary Power of Women’s Rage and Grief," by Aruna D’Souza, The New York Times
  • Press: "Käthe Kollwitz: She served her country better than any man," by Philip Kennicott, The Washington Post
  • Press: "‘Käthe Kollwitz’ Review: Despair and Defiance at MoMA," by Lance Esplund, The Wall Street Journal
  • Press: "Käthe Kollwitz's Raw Scrapes," by E. Tammy Kim, The New Yorker
  • Press: "Two big shows in New York and Frankfurt attempt to uncover the many guises of Käthe Kollwitz," by J.S. Marcus, The Art Newspaper
  • Press: "MoMA to Stage Major Retrospective for Groundbreaking Printmaker Käthe Kollwitz in 2024," by Maximiliano Duron, Artnews
  • Press: "A Century Later, Käthe Kollwitz’s Phantoms of War Go Unheeded," by Grace Byron, Frieze
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Back to exhibitions
Privacy Policy
Accessibility Policy
Manage cookies
Copyright © 2025 Kallir Research Institute
Site by Artlogic
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Youtube, opens in a new tab.
Twitter-x, opens in a new tab.
Send an email

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences